Steve Mark, Darwins Afterlife, acrylic, oil, bone, shells, sand, petroleum jelly, 60" x 60", 2011

$15,000.00

Mark’s work is heavily influenced by Native American Pow Wow regalia, ceramic glaze patterns, Jackson Pollock, satellite imagery, and Anselm Kiefer.  Horse skulls with the main, horse hair, horns, cow skulls, bones, and dried plant materials, with added toy parts are sculptural elements that are amalgamated within Mark’s rugged, painted landscape constructions: Mark’s describes the process by which he works his canvases : “I use  paint to create surface on which I can float sculptural elements. I ‘pour’ my canvases with a thick, viscous mixture of oil and water based paints in order to build up a ‘natural’ earth base.”  Stephen Mark, by design and through serendipity, deals with a number of continuing themes: decay, mortality, reclamation, and transformation not to be construed in there negative meanings but rather, to simply reacquaint us with meaning.

Mark’s work is heavily influenced by Native American Pow Wow regalia, ceramic glaze patterns, Jackson Pollock, satellite imagery, and Anselm Kiefer.  Horse skulls with the main, horse hair, horns, cow skulls, bones, and dried plant materials, with added toy parts are sculptural elements that are amalgamated within Mark’s rugged, painted landscape constructions: Mark’s describes the process by which he works his canvases : “I use  paint to create surface on which I can float sculptural elements. I ‘pour’ my canvases with a thick, viscous mixture of oil and water based paints in order to build up a ‘natural’ earth base.”  Stephen Mark, by design and through serendipity, deals with a number of continuing themes: decay, mortality, reclamation, and transformation not to be construed in there negative meanings but rather, to simply reacquaint us with meaning.

Steve Mark’s  landscapes feel like they have an ancient past; perhaps parts of the work were  found in a dry, waterless desert excavation:  uncovering remains of animal and plant life river, delta sand or in a remote tar pit. Mark uses color, as a blanket, much like  Louise Nevelson, which pulls all the elements of the work together and uses found objects in his painting/ sculpture that has a synergy with the  work of Louise Bourgeois. The narrative in these works is the experience that each piece offers the viewer. Each work is a unique symbol of the need for ecological conservation and continued stewardship of the flora and fauna that inhabit our planet. Critical vocabulary and labels serve no real purpose in talking about Mark’s painting as the work is visceral, and will encourage description, in the mind and heart of the viewer, on its own terms.