Transform your space with Nate Flink's exclusively handcrafted canvas masterpiece, utilizing dyed found remnants sewn into a tapestry of bold, saturated color.

• Unique, handcrafted canvas painting using dyed, found materials

• Rich in saturated colors and textured layers for a captivating visual impact

• Original art piece that brings a touch of avant-garde elegance to any space

Owning this canvas painting transforms your space into a gallery of artistic expression, sparking conversation and admiration from anyone who sees it.

Elevate your space with a one-of-a-kind art piece crafted from dyed cloth remnants, exuding vibrancy and creativity.

• Unique artwork combining modern and traditional textile techniques.

• Handcrafted with meticulously selected dyed cloth remnants for a distinctive design.

• Canvas base provides durability for long-lasting decor.

Transform any space with a striking blend of color and texture, making every glance an inspiring experience.

Eco Elegance: Immerse yourself in the unique artistry of a handcrafted painting made from upcycled cloth remnants and vibrantly dyed fabrics. Elevate your decor with an environmentally conscious touch of elegance.

• Handcrafted using upcycled cloth remnants for an eco-friendly art work.

• Features dyed and silkscreened fabric for a vibrant, textured surface.

• Unique and original, perfect for art collectors and home decorators.

Transform your space with a one-of-a-kind artwork that reflects your values of sustainability and creativity. This piece will not only beautify your home but also inspire conversation and admiration.

Eco Elegance: Elevate your living space with a captivating Constructed Sewn and Dyed Painting, where artistry meets craftsmanship.

• Handcrafted using premium fabrics and dyes for a unique texture and depth.

• Meticulously sewn and dyed to create a one-of-a-kind abstract mixed media painting .

• Perfect for modern art enthusiasts looking to add originality to their space.

Transform your space with this intriguing piece that invites contemplation and sparks conversation.

Nate’s use of color and texture consistently evoke a sense of delight. His palettes unfold in beautiful ranges, each color enhancing and responding to the next. Through his thoughtful orchestration of texture and material, Nate positions himself at the intersection of textile art, painting, and assemblage.

Collected and found fabrics are given a second or tenth life  —whether worn with age or newly chosen for inclusion—becoming essential elements in a larger visual language. Nate’s process and finished works offer a fresh way of thinking about the painted canvas. While the term mixed media could be applied, it feels insufficient. His approach is far more intentional and rigorous, marked by a fastidious process of selecting and constructing materials through dyeing, silkscreening, mark-making, and sewing.

A new direction has been emerging in my work in the last year that connects my past with the present. In a body of textile works, I stitch together fabrics seeking unexpected visual occurrences. The materials are stained or dyed in multiple bathings of color, then assembled. The fragments are combined together with various other fiber materials that have been treated or painted. Sometimes reminiscent of furniture from one's living room or patio, a drama is played out that suggests the domestic experience, and the emotions that conjures. In this work there is a juxtaposition of color, that operates on a dramatic level. It stems from memory, politics or emotive experiences.

The work shown here is new direction which has been emerging in my work in the last year that connects my past with the present. In a body of textile works, I stitch together fabrics seeking unexpected visual occurrences. The materials are stained or dyed in multiple bathings of color, then assembled. The fragments are combined together with various other fiber materials that have been treated or painted. Sometimes reminiscent of furniture from one's living room or patio, a drama is played out that suggests the domestic experience, and the emotions that conjures. In this work there is a juxtaposition of color, that operates on a dramatic level. It stems from memory, politics or emotive experiences.

The works shown here is a new direction which has been emerging in my work in the last year that connects my past with the present. In a body of textile works, I stitch together fabrics seeking unexpected visual occurrences. The materials are stained or dyed in multiple bathings of color, then assembled. The fragments are combined together with various other fiber materials that have been treated or painted. Sometimes reminiscent of furniture from one's living room or patio, a drama is played out that suggests the domestic experience, and the emotions that conjures. In this work there is a juxtaposition of color, that operates on a dramatic level. It stems from memory, politics or emotive experiences.

My work blurs the barrier between disciplines. Like graffiti on the side of a train, the material of the object contributes to the aesthetic experience as much as the gesture. The material is the idea, existing within a painting framework, but not perceptible solely "as a painting." I endeavor to manufacture surprise, to challenge viscerally – sometimes nostalgically – through pattern and a reminiscence to household objects. The shapes and asymmetrical compositional structures reveal contrary and paradoxical elements – I try to expose unobvious relationships. As Jean-Luc Marion writes ...to let burst into the scene much more than what one desires or wills.

A new direction has been emerging in my work in the last two years that connects my past with the present. In a new body of textile works, I stitch together fabrics seeking unexpected visual occurrences. These assemblages are comprised of cut apart fragments combined with various other fiber materials such as yarn, burlap, canvas, drop-cloths or other substrate. Sometimes reminiscent of furniture from one's living room or patio, a drama is played out that suggests the domestic experience, and the emotions that conjures. In this work there are curious tropes and cartoon figures, that operate on a dramatic level stemming from memories or emotive situations.

Thematically my work is a reaction to throw away culture and overt American commercialism. I utilize found and recycled textiles (often originating from furniture), sewing them together with bright thread, to reformulate compositions into new collaged amalgamations. My work is a study of the superficiality of society and relationships. Utilizing techniques from the world of textiles, my work offers subtle challenges to masculinity. It is an exorcism and an intuitive unearthing of narratives relating to personal history that bring about vulnerability and innocence both in terms of the personal-familial as well as cultural manifestations

Thematically my work is a reaction to throw away culture and overt American commercialism. I utilize found and recycled textiles (often originating from furniture), sewing them together with bright thread, to reformulate compositions into new collaged amalgamations. My work is a study of the superficiality of society and relationships. Utilizing techniques from the world of textiles, my work offers subtle challenges to masculinity. It is an exorcism and an intuitive unearthing of narratives relating to personal history that bring about vulnerability and innocence both in terms of the personal-familial as well as cultural manifestations.